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Afro-Cuban Rhythms for Bass

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About Course

This afro cuban rhythms for bass course gives you the foundations you need to play the style with confidence. Guided by Irio O’Farrill, you will learn how the clave shapes bass lines, how tumbao works across common progressions, and how to get a clear, authentic tone for the genre. The lessons start with a quick history and ear tune up, then move into right hand muting, tone control, and timing so your parts sit in the pocket. From there you will study cha cha chá, bolero, son, and core tumbao feels, practicing chord anticipation and variations that make grooves feel alive. You will also explore rhythmic combinations, how to borrow patterns across styles, and how to adapt Afro-Cuban concepts to non Latin settings, building a deeper pocket and a wider musical vocabulary. The result is a practical approach to bass lines that support the band, lock with percussion, and move a song forward.

What You’ll Learn
  • Bass patterns with tone and muting tips for cha cha chá, bolero, and son
  • Rhythmic combinations, borrowing grooves, and adapting styles beyond Latin contexts
  • Tumbao construction, chord anticipation, and extended chord movement
  • Timing that helps you lock with percussion
  • A clear process for creating musical variations and fills that serve the song
  • How the clave guides bass decisions and phrasing
Is This Course for You?

If you play bass and want authentic Afro-Cuban feel, this course gives you a stepwise path from core patterns to real band applications. Rock, pop, and jazz players will learn to sit deeper in the pocket by internalizing clave and tumbao. Producers and composers will gain a toolkit for writing bass parts that add motion without crowding the mix. Newer bassists can follow the simple sequence to build timing, tone, and stylistic awareness one lesson at a time.

Meet Your Instructor

Irio O’Farrill is a working bassist and educator with deep experience in Afro-Cuban music. His lessons connect history and feel to the mechanics of tone, muting, and time. The course flows from overview and tone setup into clave, cha cha chá, bolero, son, and tumbao, then finishes with rhythmic combinations and merengue variations you can use right away.

What’s Included
  • Step by step lessons on bass interaction with clave and percussion
  • Rhythmic combinations, borrowing grooves, and merengue plus pambiche variations
  • Patterns, feel development, and tone control
  • Bass lines with variations for cha cha chá and bolero
  • Common tumbao progressions, including chord anticipation and extensions
  • Playable examples you can adapt to your own band or productions
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What Will You Learn?

  • Master the tumbao and its variations across Afro-Cuban genres
  • Understand and apply clave patterns in bass playing
  • Develop techniques to synchronize with percussion instruments
  • Enhance groove and timing within Afro-Cuban rhythmic structures
  • Explore the historical context of Afro-Cuban bass lines
  • Integrate Afro-Cuban rhythms into diverse musical settings

Course Content

Introduction/Cha Cha Chá
Irio gives a quick rundown on the story of Afro-Cuban music, the clave patterns and how to achieve a good bass tone for the style.

  • Introduction to Afro-Cuban Music
    05:18
  • Clave & Percussion
    08:44
  • Cha Cha Bassline
    07:47
  • Bass Tone and Right Hand Muting Technique
    06:46

Cha Cha Chá & Bolero
Irio expands even more on the Cha Cha basslines and introduces another slower type of Afro Cuban music: The Bolero

Son & Tumbao
Irio introduces the Son and the importance of playing the Tumbao anticipating chords, as well as Tumbao with extended chords.

Rhythmic Combinations
Irio shows how to combine Cha Cha over Mambo and vice-versa and as well how to incorporate these styles on non Afro Cuban styles of music. Also Irio introduces the Merengue and its variations such as the Pambiche.

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